It’s 1981 and Nigeria is booming. Oil was still bringing in the big petro-bucks and a new civilian government brought hope that the dark days of military dictatorships were over. Free Runic Key Generator Download - Free Torrent 2016 on this page. A new album by a baby-voiced, permed, lipstick-wearing vocalist is riding high in the charts, capturing the mood of the nation perfectly. The singer was Oby Onyioha, the university educated daughter of the Godian prophet, His Holiness Ogbaja Kama Onu Kama Onyioha. The album was I Want To Feel Your Love, a collection of slick, up-tempo disco tracks, produced by the ‘Quincy Jones of Nigeria’, Lemmy Jackson.

Handsomely packaged, sumptuously produced, it was as sophisticated and glossy as anything coming out of the west. The album also marked a cultural shift in Nigeria too. Oby Onyioha was a smart, modern woman exhorting her Nigerian sisters to ‘Enjoy Your Life.’ She wasn’t sitting around waiting for a man to call. ‘I Want To Feel Your Love’, she sang. And ‘I’ll Put It Right Again,’ not some dominant boyfriend.

Buy Aleke at Juno Records. In stock now for same day shipping. After spending much of the '70s humping his congos around New York as a session musician, Nigerian Aleke Kanonu pulled in some favours to record an album of his own. On Roverman Emma Dorgu has achieved that that rarest of beats, an album that challenges your mind while it speaks to your feet.

Bright, brash and living for the moment, I Want To Feel Your Love is the soundtrack of a Nigeria confident and ready to take its place in the world. Akwassa were among the best Afro-Beat bands coming from Nigeria.

They released La'ila in 1975 and were one of the early Nigerian Funk bands to get an album out. They were related to the Heads Funk Band and most members were part of both bands. They managed to release two albums as Akwassa. Their debut La'ila came out on a well known Afro-Beat label Afrodisia Records. Akwassa were originally a duo made of Felix Day (guitar and vocals) and Kevin Coburn (organ, synthesizer and vocals). Felix Day is actually Feladey, the guitarist in Aktion (another top notch Nigerian band reissued by PMG).

Panotour Pro 2 3 Keygens here. On La'ila the band used a lot of synthesizers and the overall sound is very pleasing. Overall the album has a raw and unpolished sound, but that's what brings that certain spark for being among the very best in the Afro-Beat genre.

After spending much of the ‘70s humping his congos around New York as a session musician, Nigerian Aleke Kanonu pulled in some favours to record an album of his own. The result was Aleke, a criminally obscure Afrobeat/Funk/Jazz masterpiece featuring Buddy Williams on drums, George Davis on guitar and a cameo from Wynton Marsalis on flugelhorn. There are only four tracks on the album but they are all killers. N’Gwode sounds like Fela Kuti and Manu Dibangu hanging out with Bobby Womack, probably somewhere across 110th Street.

‘Keep New York Clean’ struts like Shaft after a successful bust. And ‘Mothers Day’ keeps things sweet and soulful, before Wynton Marsalis brings back the groove with his flugelhorn on ‘Home Sweet Home’.

Until recently you would have had to take out a second mortgage to get hold of Akele. And sold a kidney for the Happiness/Nwanne, Nwanne, Nwanne 12’’ Kanonu released a year later. Thankfully PMG has re-issued the LP and the EP, with the CD version containing both. - Peter Moore, www.africanrevolutions.com. Geraldo Pino came to Nigeria from Freetown in Sierra Leone in 1968 with his band THE HEARTBEAATS and quickly changed the music scene completely.

He was the first bandleader that brought sophistication into show business. He owned the best musical equipments, his costumes on stage was fantastic, his musicians were good looking guys with afro hair styles.

His drummer then was Francis Foster who later played percussion with Paul Simon. Pino got the title of THE HARDEST WORKING MAN IN SHOW BUSINESS in Nigeria. Girls loved him. I later joined his band with new set of musicians in 1974 as a singer while he based in Kano in the north of Nigeria.

To survive in Nigeria those days as a musician you have to be very good on stage and Pino was. His stagecraft was exhilarating, his costumes were dazzling, he command the band and his audience wherever he played with his dancesteps and he became an inspiration to many Musicians.

He later moved to Port Harcourt where he lived and died many years ago. Though he is dead, his music lives on through his many songs and this vynil in your hands. His memory also lived with those who watched him on stage. Recorded in the USA, E Je Ka Jo is the only record released by Nigerian brother and sister act, Xtasy. It is also a stone cold, boogie classic and remains one of the most sought-after records of its type in the world. E Je Ka Jo means ‘Let’s Dance’ and in 1983, Roy and Stella Bruce were whisked away to LA to record their certifiable dancefloor classic.

Their brother, entertainment mogul Ben Murray Bruce, owned the label and called in favours with the America’s finest session players, including songwriter Greg Wright and bass player Keni Burke. Wright produced the album and wrote all the songs. He’d worked with Diana Ross, Thelma Houston and Bobby Womack and added a slick international sheen to each track. The sound is smooth, sophisticated and sexy and one that would be welcomed on dance floors anywhere in the world. Strangely, E Je Ka Jo was only ever released in Nigeria. An international release was stymied, but that only served to cement the albums status as a modern soul boogie classic.

Thirty years later, that injustice has finally been rectified. In the mid-seventies Nigeria, everybody loved the Black Children Sledge Funk Co. Blasting out of the bustling river port of Onitsha, their infectious, feel-good grooves were the perfect antidote to the dark economic clouds gathering over the country. Nigerians, young and old, lapped it up. Every member of the band had played with The Strangers. Michael Hammedatha Moore, sang and wrote the songs.

Daniel Carlos Yakubu played guitar. Jerry Freeman Nwokolo was on keyboards. And Benson Teteh played the drums. As a gimmick, everyone in the band changed their last name to Black. They didn’t need to. Their music ­– a sunny African blend of jazz, R’n’B, rock and funk – was extraordinary enough. ‘Boogie Saturday’ is a Kool & The Gang-style celebration, guaranteed to get even the most reluctant dancer up on the floor.

‘In Search Of Yesterday’, ‘The Eye That Can’t See’ and ‘Working Together’ bring the meaning to the groove, before an instrumental provides a suitably sweaty finale. Ask any Nigerian and they’ll tell you: Vol. 3 Aviation Grand Father is a party on a platter.

Put it on and get yours started. - Peter Moore, www.africanrevolutions.com.

In 1979, Emma Dorgu decided it was time to act. He’d torn up the Lagos live scene with The Thermometers and conquered the airwaves with the single, ‘World People’. But there were injustices afoot, not just in Nigeria, but in South Africa and Zimbabwe and across the continent as well, and he felt that something needed to be done. Roverman was his politicized call to action.

Blackman Akeeb Kareem lent him the instruments and let him rehearse in his sitting room. Dorgu sets his stall out early in the reggae-tinged ‘Free My People’ calling for freedom for South Africa, freedom for Zimbabwe, indeed, freedom for all. Thankfully political injustice hadn’t rid Emma completely of his urge to get on down. The New York ghetto funk of ‘Roverman’ and ‘Loving’ and the straighthead boogie of ‘Afro Fever’ leaven the message with a funky beat and an irresistible pull towards the dancefloor. On Roverman Emma Dorgu has achieved that that rarest of beats, an album that challenges your mind while it speaks to your feet. Protest music has never sounded so funky.

To many people, Mary Afi Usuah needs no introduction in music and entertainment circles. Apart from establishing herself as the leading female voice on the Nigeria scene, this versatile artiste is also ranked among the best in the African continent. In this album as depicted by the title song “AFRICAN WOMAN” she stirs in one’s mind the consciousness of the beauty of African Negritude This is followed by “KAM FAT OWO” a romantic mbaya in Efik folklore. The third song on side one potrays the crucial decision commonly experienced by women who stand to loose in the game of love.

What else have they got to do? “WHAT’S A WOMAN GOT TO DO”? On side two she opens up with “Sweet Elijah” a song which Mary dedicates to the one she loves — be he Elijah or what has she.

The number is undoubtedly a rare romantic type. This is followed by “SPREAD MORE LOVE” a glowing tribute to our great Nation — Nigeria, and the need for stronger love and dedication among her citizens. “Our generation” follows up with tight chorus lines and more vocal emphasis by Mary.

Mary Afi Usuah or “AFI” like her fans call her, has a unique style as is potrayed in compendium of songs waxed in this album. For those who don’t know much about her, Mary Afi Usuah is a graduate of the famous conservatory of music, ST.

CECILIA ACADEMY of Rome. She finds it proper to adapt her operatic studies to the confines of popular rythms of Africa. Since her arrival back from Europe a few years ago, she has exelled in many performances prominent among which are.

Back In Stock!!!!!! After spending much of the ‘70s humping his congos around New York as a session musician, Nigerian Aleke Kanonu pulled in some favours to record an album of his own. The result was Aleke, a criminally obscure Afrobeat/Funk/Jazz masterpiece featuring Buddy Williams on drums, George Davis on guitar and a cameo from Wynton Marsalis on flugelhorn. There are only four tracks on the album but they are all killers.

N’Gwode sounds like Fela Kuti and Manu Dibangu hanging out with Bobby Womack. ‘Keep New York Clean’ struts like Shaft after a successful bust. And ‘Mothers Day’ keeps things sweet and soulful, before Wynton Marsalis brings back the groove with his flugelhorn on ‘Home Sweet Home’. Until now you would've needed to take out a new mortgage to get your hands on this.pure gold!!